D16 Group - Repeater v1.1.0 VST, VST3, AAX, AU WIN.OSX x86 x64Год/Дата Выпуска: 2017
Версия: 1.1.0
Разработчик: D16 Group
Издатель: Slate Digital
Сайт разработчика: http://d16.pl/repeater/
Сайт издателя: http://slatedigital.com/repeater-delay/
Формат: VST
Разрядность: 32bit, 64bit
Таблэтка: ПрисутствуетСистемные требования:
Windows OS: Windows 7 or higher (32 & 64-bit)
Mac OS: OSX 10.7 or higher (32 & 64-bit) [Intel]
PunchBOX is a virtual instrument designed for creating high-quality kick drum sounds. The heart of the plug-in is comprised of four sound ge. PunchBOX by D16 Group. 02 May 2017 D16 Group updates Repeater to v1.1.0 22 Mar 2017 D16 Group and Slate Digital release Repeater - Vintage Modeled Delay for Mac OS X and Windows (incl. 64-bit) 18 Nov 2016 D16 Group and Slate Digital announce Repeater Vintage Modelled Delay Plug-in 30 Sep 2016 D16 Group releases PunchBOX - Bass Drum Synthesizer for Mac OS X.
AAX: ProTools 12+Описание:
Built-in 23 delay models ranging from classic oil cans and plates to the most famous vintage digital designs.
There have been many incredible delay units created over the past 70 years, from tape delays to oil cans to modern digital circuits. So when D16 Group and our friends at Slate Digital got together to create a new delay plugin, it was obvious which we would model: all of them!
All-in-one
Introducing Repeater - A dual delay powerhouse that features 23 unique authentically modeled delay units ranging from classic oil cans and plates to the most famous vintage digital designs:
● Cassette Tape - A model of an early 80's Japanese cassette tape deck. We'd call this one mid-fi
● Coopy Cube - An early 70's delay originally made from a garden hose! Great for short delays to add depth, also with stereo Spread option.
● Digital 42 - One of the most famous modern digital delays, this one has a uniquely early digital tone with a touch of graininess and a slight scoop. Great for guitars and vocals.
● Digital 42 x 2 - The double option on the Digital 42, it halves the sample rate for an extremely unique lo-fi tone that is great on vocals, guitars, and drums.
● Digital Delay - A hi resolution digital delay. Use Repeater’s filters and Color to customize the tone.
● DM-2 - An early bucket brigade analog delay with a warm and rich tone. Amazing on guitars and synths.
● Mellow Delay - A smooth, subdued delay that is based on several vintage analog topologies.
● Memory Guy - Lush analog delay with fat vintage tone.
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● Mirky Delay - Based on early bucket brigade analog delays, it is dark and thick. Great as a special effect delay or thickener when used with the Spread option.
● New Radio - Delay tone with FM radio style scooped hi-fi tone. Try it on vocals.
● Old Radio - Delay tone with AM radio style grainy lo-fi tone.
● Pitchy Delays - (3 models) - Delays with slight pitch modulations for extremely spatial and deep effects. Sounds great when both delay lines are set to the same time creating a chorusing mono effect.
These can also be used with tight delays with Spread option for widening and thickening effects.
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● Plexy Echo - Based on an old 70s tape delay unit. It’s fat tone, which sounds great on vocals guitars and even drums.
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● Space Delay - Based on the famous magnetic tape delay with warm and gritty tone. A classic on guitars.● Tape Delay Ancient - An extremely old 1940's style tape delay tone.
● Tape Delay Classic - Early 60's style tape delay.
● Tape Delay Modern - Hi-fi tape delay with warm and lush tone.
● Tape Delay Vintage - 70's style tape tone, slightly grainy but warm.
● Telephone 1 - Lo-fi telephone tone, great for special effects or used as an insert on vocal or even full mix.
● Telephone 2 - Another lo-fi telephone tone with slightly different frequency and distortion tone.
● TelRay - The analog delay classic made original from a tuna can. Beautifully lo-fi with a rich tone that is perfect for guitars.
Two is better than one
At first glance, Repeater appears to be your typical stereo delay effect processor with independent control of the processing path for the left and right channels. In actuality, it features independent re-panning and dry/wet mixing for each of two stereo channels, which makes it a very flexible double delay line effect. You'll be surprised and delighted by all the capabilities this approach can offer over the typical, fixed-panned one.
D16 Group Repeater - моделирование винтажных дилеев в сотрудничестве с Slate Digital,
на основе более сложного варианта дилея D16 Group - Sigmund,
с целью большей лаконичности интерфейса, для скорейшего получения результата, - без углубления в сложность Sigmund.
D16 Group's Repeater has been updated to version 1.1.0.
Fixed - GUI freeze when tweaking with controls - OS X ElCapitan
Fixed - Parameter flickering with linked parameters automation - Pro Tools
Fixed - Disabling host's automation - Ableton Live
Fixed - State parameters' automation (Phase Inv. L / R, P. Pong, Analog Feedback).
Changed - Improvements in linked parameters automation and linkage.
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D16 Group Silverline Collection Audio Software is the creative software developer behind some of the best music plugins you can find. Among their many high-quality offerings are Phoscyon, Antresol, Nepheton, Devastator 2, Lunchbox, and LuSH-101. They have many more, but for this issue of SoundBytes Magazine we’ll take a look at the latest versions of some of their effect plugins: Toraverb 2, Decimort 2, Devastor 2 and Tekturon. These are half (currently) of a collection named Silverline. Six of the Silverline collection have been around quite a long time, starting life as 32-bit only. In recent years, two new plug-ins have been added to the collection, and the older effects are one-by-one getting enhanced including a welcome resizing of the rather small user interfaces.
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d16 Group Silverline Collection Crack (Win) Crack It is (currently) half of a collection called Silverline. Six of the Silverline collections have been around for a while and only start with 32 bits. Two new plug-ins have been added to the collection in recent years, and older effects are individually improved, including a welcome resizing of the rather small user interfaces.
Toraverb 2:
Toraverb 2 will work with Windows 7 or higher, 4+ GB of RAM, and a 2.5 GHz multicore CPU with SSE (2.8 GHz multicore is recommended). It has VST and AAX versions available (32-bit and 64-bit). On the Mac, you’ll need OS X 10.7 or higher, 2.5 GHz CPU (2.8 GHz is recommended), 4+GB of RAM. AU, VST and AAX versions are available (32-bit and 64-bit). Installing Toraverb 2 was simple, and you can activate it online by logging into your D16 account or by downloading an activation file to activate it offline.
After you’ve added it to a track or a bus in your DAW, you’ll be presented with the display. One great thing about the display (besides how nice it looks) is that there are two different sizes. Along the top of the display and buttons are menus for various functions. A couple of the items available under the Options menu are processing quality settings and display size choices. To the right is the display for the current preset, and clicking on that will open the browser in which you can choose from the many other presets that are on board. You can also skim through the presets by using the Previous/Next buttons. Other functions include the ability to Initialize the settings (INIT – start a preset from basic settings), Reload a preset (i.e. – maybe you don’t like how your edits have gone amiss), and Save a preset.
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Many of the controls that change the “guts” of the sound are over on the left side of the display. One of the best parts of Toraverb 2 is that it has many controls separated by the early or late reflections. Once you’ve selected either the Early or Late tabs, you can change many of the parameters. The sims 2 mac.
The available controls located here are Pre-Delay (up to 500ms), Size, Bass Cut, Crosstalk between the left/right channel delay lines (only on the Early reflections tab), Feedback (Late reflections tab only), Attenuation – similar to a tone control since it can adjust the sound of the reflective surface, and Diffusion – changes the way the reflected sound is affected by the surface from which it is reflected. Last but not least in this section is the Modulation control. This will dial in an amount of modulation for the reflections, and it sounds like it causes the pitch to slightly waver in a semi-random fashion.
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To the right of that section control to adjust a single-band parametric EQ. There are two of these actually, one each for the early and late reflections. Three types of filtering are available: high shelf, low shelf, and bell. Gain, frequency, and bandwidth controls are also present. Up next is the mixer section. From here you can change the panning for the early/late signals, and increase/decrease the gain for each as well. When you enable the MS Mode button, the left/right panning controls will then function as mid/side controls.
The last area on the display is the Master section. This is where you can change the dry/wet amount (this can be locked for switching between presets) and the FX Curve which adjusts the crossfade from the dry to the wet signal. The last two controls are for Ducking (uses compression to adjust the wet level in proportion with the dry mix level) and Attack/Release which adjusts the attack/release times of the Ducking effect.
D16 Group SilverLine Collection 2020:
- Entresol v1.1.4 – analog BBD stereo flanger
- Decimort v2.1.6 – high-quality bit crusher
- Devastator v2.1.6 – multiband distortion unit
- Florian v2.0.0 – controllable space phaser
- Frontier v1.0.0 – free self-adaptive versatile limiter
- Godfather v1.0.1 – advanced modulation unit
- Redoptor v2.0.1 – vintage tube distortion
- Repeater v1.1.5 – vintage modeled delay
- Sigmund v1.1.2 – high-quality flexible delay unit
- Santorum v2.0.0 – triple path analog chorus
- Tekturon v1.0.8 – multitap sequenced delay
- Toraverb v2.0.2 – space modulated rever
d16 Group Silverline Collection (Win) Crack Features:
- After adding it to a track or bus in your DAW, the display will appear. One great thing about the display (aside from its beauty) is that there are two different sizes. The menus for the various functions are located at the top of the screen and the buttons. Some of the items available in the Options menu deal with quality settings and selection of the display size.
- The display of the current preset is on the right. When you click on it, the browser opens, where you can choose from the many other presets that are on board. You can also scroll through the presets using the Previous / Next buttons. Other features include the ability to initialize settings (INIT – start a preset from the basic settings), reload a preset (that is – you may not like the failure of your changes), and save a preset.
- Many controls that change the “courage” of the sound are on the left side of the screen. One of the best parts of Toraverb 2 is that it has many controls separated by early or late reflections. After selecting the Early or Late tabs, you can change many parameters.
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- The commands available here are the pre-delay (up to 500 ms), the size, the bass cut, the crosstalk between the delay lines of the left / right channel (only on the First reflections tab), the feedback ( only the late reflections tab), damping – similar to tone control, as they can adjust the sound of the reflective surface and scattering – changes the way reflected sound is affected by the surface from which he is thoughtful. Last but not least of this section is modulation control. This defines a certain modulation of the reflections and it seems that the height fluctuates slightly by chance.
- To the right of this section are the controls for setting a single-band parametric equalizer. There are actually two of them, one for early and late reflections. There are three types of filtering: high shelf, low shelf, and bell. Gain, frequency, and bandwidth controls are also available. Next is the mixer section. From there you can change the pan for early/late signals and also increase/decrease the gain for each signal. When you activate the MS mode button, the left / right pan controls then act as center/side controls.
- The last area of the screen is the main area. Here you can change the amount of dry/wet (this can be locked to switch between presets) and the FX curve, with which the transition from dry to wet signal is adjusted. The last two commands are for ducking (uses compression to adjust the level of wetting proportional to the level of the dry mix) and attack/release, which adjusts the attack/release times of the ducking effect.
- When Toraverb 2 was released, it had an introductory price of $ 49 and then returned to its regular price of $ 69 but you can get here free. There is also an upgrade path for those who purchased the original version. I think it’s very affordable, especially since some of the other high quality reverbs on the market with similar functionality can cost you a lot more.
Specifications:
Supported formats: VST2 / AU / AAXnative
System requirements: Windows 7 (32/64-bit) and later, Mac OSX 10.7 and later, 2.8 GHz CPU, 4 GB RAM, Internet connection Jaidev jaidev marathi mp3 download.
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Software Information:
- Silverline Collection (Complete Bundle)
- Included: Antresol, Decimort, Devastator, Fazortan, Frontier, Godfazer, Redoptor, Repeater, Sigmund, Syntorus, Tekturon, Toraverb
- d16 Group
- 2020.2
- 64-bit (VST2, VST3, and AAX)
- Windows 8 and 10
- Instructions: Just run the installer.
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